Art Palestine International is a New York-based cultural organization dedicated to Palestinian contemporary art. We collaborate with museums, galleries, and non-profits to produce art exhibitions, events, and publications.


This blog is a research tool that allows us to chart our research and invite others along on the journey.





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Download artwork: Shuruq Harb, The Real Deal

In 2008, Ramallah-based artist Shuruq Harb (whose work Untitled, Goldfish is showing as part of The Thousand and One Nights) produced an artwork in the form of a fake fashion magazine. Called The Real Deal, it addressed ‘local issues relating to clothes and fashion in the West Bank.’ Satirical in tone, the magazine tells you how you can find ‘brand name clothes left over from Israel’s fashion season and smuggled’ into the West Bank by Palestinian workers. Harb adopts the persona of a fashion editor whose desire for the latest styles sends her on quixotic journeys and leads her to the bottom of enormous piles of subpar garments.

This editor character understands something that we Americans take for granted: consumer choice is the very foundation of individual identity. So what’s a girl to do in a place where consumer choice is so limited by restrictions on travel and exchange?

Shuruq has graciously agreed to let us offer her work for download. It’s about 50MB! But worth it. Let us know your thoughts and questions – you can email me at michael@artpalestine.org.

Download The Real Deal (50MB).

The Real Deal was supported by Artschool Palestine and the French Cultural Center in Ramallah.

Palestinian Artists in Istanbul Biennial

It’s a big year for Palestinian artists on the biennial circuit. A couple weeks late, but I just noticed that there are a few familiar names on the roster for the Istanbul Biennial, opening September 12: Jumana Abboud, decolonizing.ps (Sandi Hilal, Alessandro Pettit and Eyal Weizman), and Wafa Hourani will all be taking part.

UPDATE: Not sure how I missed this, but Larissa Sansour is also on the list.

Open Call – International Artists Workshop in Birzeit

Al-mahatta Gallery is hosting an International Artists Workshop for two weeks this fall; it sounds like a great opportunity:

The workshop will take place in the town of Birzeit, about 12 kilometers away from the Ramallah City. The residencies and work spaces are set in an old building that is situated between olive trees and is close to the historical town of Birzeit. The workshop is process oriented, supports experimentation in all media and is targeted at emerging to mid career artists in all fields; encouraging contemporary work in painting, drawing, sculpture, installation, video, performance and sound.

Application instructions can be found at the Al-mahatta Gallery’s website. Deadline is August 10.

Images of 1001 Nights at Postmasters NYC


Installation View, Postmasters Gallery

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Guggenheim Acquires Work by Sharif Waked

Haaretz.com reports that the Guggenheim has acquired Sharif Waked‘s work ‘To Be Continued.’ Congratulations, Sharif!

You can see his work ‘Jericho First‘ in our exhibition The Thousand and One Nights at Postmasters Gallery in New York through August 8.

UPDATE: Also see the below article from al-AYYAM newspaper, Ramallah

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Exhibition: The Thousand and One Nights

Postmasters Gallery is pleased to announce “The Thousand and One Nights” – an exhibition of  contemporary artists from Palestine curated by Mary Evangelista with Michael Connor.
July 7 – August 8, 2009
Postmasters Gallery
Opening reception Tuesday, July 7 6-8pm

TAYSIR BATNIJI
HANNA FARAH-KUFER BIR’IM
SHADI HABIB ALLAH
SHURUQ HARB
JUMANA MANNA
SHARIF WAKED

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Sandi Hilal + Alessandro Petti, Palestine c/o Venice Artist Spotlight

This is the third in a series of profiles of past projects by artists featured in the Palestine c/o Venice Pavilion. – ed.

Sandi Hilal and Alessandro Petti are perhaps best known for their installation at the 2003 Venice Biennale, “Stateless Nation.”  For this work, the collaborative duo installed a number of large-scale passports – taller than a human – throughout the Giardini, interspersed among the pavilions of different states. While passports were issued by different authorities, the bearer’s place of birth was always listed as Palestine. The project reflected the wider political context of the Biennale, in which participating nations each organize their own pavilion. Director Francesco Bonami had hoped to include a Palestinian Pavilion in the Biennale, but exhibition regulations prohibit the inclusion of nations not recognized by Rome, and his plans were scuppered amid controversy.

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Jawad al Malhi, Palestine c/o Venice Artist Spotlight

For the next several posts, we will be running profiles of past projects by artists featured in the Palestine c/o Venice Pavilion. – ed.

Jawad al Malhi’s contribution to the 2009 Palestine c/o Venice Pavilion is hard to miss: a panoramic photograph, House #197, printed at monumental scale (pictured above). The image depicts the Shufhat Refugee camp in Jerusalem as seen from the neighbouring Israeli settlement. The image seems flattened as if taken with a telephoto lens; focal length emphasizes the distance between observer and observed.

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Khalil Rabah, Palestine c/o Venice Artist Spotlight

For the next several days, we will be running profiles of past projects by artists featured in the Palestine c/o Venice Pavilion. – ed.

For his extensive ‘Palestinian Museum of Natural History and Humankind‘, artist Khalil Rabah has created a fictional nomadic museum that collects and classifies the natural environment of Palestine. He describes it as follows:

The Palestinian Museum of Natural History and Humankind was established in 1936 to inspire wonder, discovery and creations, which provoke curiosity and deepen understanding of our natural and cultural world.

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Elia Suleiman at Cannes

The clip above is a great scene from the 2002 film ‘Divine Intervention’ by Nazareth-born filmmaker Elia Suleiman. Suleiman was back this year with a new film, ‘The Time that Remains,’ which was the toast of Cannes this year and was name-checked as a contender for the Palme d’Or. Haneke ultimately clinched the top honor, but we haven’t seen the last of Suleiman’s film.

The film tells the story of the 1948 war through the frame of his family’s personal experience, blending the personal and political in a way that has been described as “a grim comedy” and “a wryly humorous workout, marbled with personal sadness and mystification” There aren’t many clips online – here’s one – but there’s a beautiful interview with Suleiman talking about his passion for silence on the festival website. He speaks like a true poet.