An excellent overview of the Palestinian Bienale
Posted by Mary
Art Palestine International is a New York-based cultural organization dedicated to Palestinian contemporary art. We collaborate with museums, galleries, and non-profits to produce art exhibitions, events, and publications.
This blog is a research tool that allows us to chart our research and invite others along on the journey.
An excellent overview of the Palestinian Bienale
Community Celebration to Unveil “Oakland Palestine Solidarity Mural”
Sunday, August 10th, 1pm-4pm
401 26th Street @ Telegraph in Oakland
Location: The International Academy of Art Palestine,Aref Al-Aref Building, behind Arab Bank, Al-Bireh
“See You in The Hague” is based on the ongoing project of a group of IAAP students and Khaled Hourani.
Students will present the outcome of their work.
Organized by: The International Academy of Art Palestine
Suspended Accounts, the 2014 Young Artist of the Year Award exhibition, is curated by Viviana Checchia and examines Palestinian artists’ use of self-historicization through archival methods of photography, archaeology, historical narratives and painting. Part of Qalandiya International, an art biennial across major cities in the West Bank and Gaza, the YAYA exhibition is a competition organized by A.M. Qattan Foundation which shortlists ten Palestinian artists every two years to produce new work around a theme proposed by an independent curator.
Congratulations to Bashar Khalaf (1st prize), Noor Abu Arafeh (2nd prize), Fareh Saleh (3rd prize-tied), Noor Abed (3rd prize-tied), and the many finalists whose works are currently on display at the Al Bireh Municipality Theater in Ramallah.
Fareh Saleh, A Fedayee Boy in Moscow, Installation, 2014.
Hamody Ghannam, Wadi Nisnas, audio installation, 2014.
Hanadi Azmi, Forgery of History, archaeological objects, 2014.
Noor Abed, I’m Sorry for the Metaphor, HD video/audio installation, 2014.
Iman Al Sayyed, Reincarnation, archival drawings/photographs, video projection, 2014.
Windows for Contemporary Art Gaza is a group of six artists—Shareef Sarhan, Majed Shala, Basel Al Malqousi, Hazem Harb, Shadi Al Zaqzouq, and Mohammed Joha— whose work spans painting, photography, video, and installation. Through one-off exhibitions and public programming, the artist-run collective aims to resist the political, economic and military restrictions that recent Israeli assaults have placed on cultural progress in Gaza.
Basel Al Malqousi, “TV No Signal”
at the international art academy –
al-bireh / ramallah
thursday / 8th of may / 20:00
Tuesday, 6 May 2014, 6 p.m. Khalil Skakini Cultural Center
During the 1970s and 1980s, there was a rich cultural cooperation between the PLO and East Germany. The Film Festival in Leipzig is a vague yet positive Palestinian memory. German film expert and distributor Irit Neidhardt completed a first viewing of the paper archives of the festival for the years the PLO attended the event starting in 1973. She will present her project exemplified by files regarding the PLO production Al-Manam that won an award in Leipzig in 1987 and which will be shown, followed by a discussion moderated by Mohanad Yacoubi.
Tel. 02-2981 922
Readings and Performance
Thursday, April 10, 2014, 630-9PM
329 Broome St.
New York, NY
630 PM Book signing with Samia Halaby and Alison Weir
7PM Samia Halaby reads Samia Halaby, Five Decades of Painting and Innovation by Maymanah Farhat, published by Booth Clibborn Editions. She also reads select excerpts from Art of Palestine, A detailed study of Palestinian art during the second half of the twentieth century
745PM Performance by artist Elias Wakeem: video screening Borderline Drag Show and drag show lip-sync to Fairouz’s Can You See How Big the Sea Is?
8PM Alison Weir reads Against Our Better Judgment: The Hidden History of How the U.S. was Used to Create Israel
Samia Halaby: Five Decades of Painting and Innovation offers an unprecedented look at one of the world’s leading abstract painters. Spanning over five decades of the Palestinian artist’s illustrious career, from her early student days in the 1960s to her most recent series in 2013, the book contains nearly 450 colour reproductions, presenting her expansive oeuvre through paintings, prints, and drawings. These images are accompanied by an in-depth essay by art historian Maymanah Farhat in addition to the personal reflections of the artist on her theories of abstraction and the many inspirations and approaches that were involved in creating some of her most recognized works.
Samia A. Halaby is a Palestinian artist and scholar who lives and works in New York. Born in Jerusalem in 1936 during the British Mandate, today she is recognized as one of the Arab world’s leading contemporary painters. Halaby has also been active in American academia, teaching art at the university level for seventeen years, a decade of which was spent as an associate professor at the renowned Yale School of Art (1972–82) as the first woman ever to hold the position of associate professor. In addition to participating in leftist political organizing for various causes, she has long been an advocate of pro-Palestinian struggles.
Elias Wakeem, also known as Madam Tayoush, is an emerging queer arab Palestinian artist living and working in New York City. Through performance she examines the reaction of the audience to her personal story of the place she grew up in with its geographical, historical and political situations. Madam Tayoush created over the past few years a series of monthly radical queer drag ball parties in Jerusalem called “Jerusalem is Burning”.
Alison Weir’s new book Against Our Better Judgment: The Hidden History of How the U.S. was Used to Create Israel. Alison Weir is a journalist, author and president of the “Council for the National Interest” as well as executive director of “If Americans Knew” a nonprofit organization dedicated to providing Americans with information on topics of importance that are misreported or under-reported in the American media.